Literary biography and the limits of ‘research’.
Research seminar, research cluster, research output. The word is almost a fetish within the contemporary academy—but what does “research” actually mean in a discipline like literature? And what happens when a research project overspills its bounds, or pushes up against disciplinary limits and protocols? In this piece, I explore such questions via the figure of Demetrios Tsafendas, the “mad Greek” who assassinated apartheid Prime Minister Hendrik Verwoerd in 1966, supposedly acting on instructions from a tapeworm inside him. It is one of the strangest facts in South African history; it is also, of course, a kind of fiction, and one that has been refracted into a range of literary and artistic works. Reading across both official and “creative” archives, I address a range of methodological problems that I encountered in attempting an academic treatment of Tsafendas and his (as the presiding apartheid judge put it) “useless life”.